{"id":28,"date":"2005-12-10T19:16:19","date_gmt":"2005-12-10T19:16:19","guid":{"rendered":"http:\/\/www.ljudmila.org\/~savskib\/?p=28"},"modified":"2024-09-20T15:54:45","modified_gmt":"2024-09-20T13:54:45","slug":"eye","status":"publish","type":"post","link":"https:\/\/www.turborebop.net\/?p=28","title":{"rendered":"Eye = I"},"content":{"rendered":"

[Original at https:\/\/www.turborebop.net\/borut_galerija\/index.php?folder=performances\/Eye=I<\/a>]<\/p>\n

Eye = I<\/i>Performance on 20th April 2005, P74 gallery, Ljubljana \u0160entvid
\nFirst version of performance in september 2004 at Merano, Italy<\/p>\n

all photos by \u010crt Majcen<\/p>\n

\"\"<\/p>\n

What is the joke (the yoke)?<\/strong><\/p>\n

One eye (the b\/w video monitor) is the input (on the right) and the computer generated eye is the output (on the left). The small video camera is attached to my head and transfers the image of my eye to the video monitor and (simply as sound signal) to the input of the computer.In the computer the changes of light (open or closed eye)is decoded and the variations control the algorythm (Pure Data). GEM software (part of PD) moves the eyeball. But this is the least important, since the movement of the virtual eye has a very remote connection to the movement of the physical eye.My point in this event was the recent thinking of a “distributed” entity. In simple case this is usually a machine or communication technology, but also a large number of humanly organized activities. The abstract bodies are made out of widely distributed and less abstract bodies. This is the case with economy, culture, politics – any kind of institutions. In the end the lowest abstract entities that make up an organism are stores, houses, and humans.But my interest is: how such a “distributed system” exists on the level of human psychology. The Eye is the input, we measure with it, transform the meaning and output it. A kind of Freudian situation (oral and anal…). Here I propose the Eye=I input\/relation because it is more appropriate for a grown up person, though eating (oral) as an input, but also as an output (language) as a metaphore holds 100%. What about the other side: how can anal (shit as an output) become an input (…). It must somehow, of course.<\/p>\n

The Eye is supposed to be either input or output – and the same with I. Is the I the excrement (the shit) also? Etc….<\/p>\n

\n

below is the announcement text of the project
\nNapovedno besedilo v \u010dasniku Delo (ali kjerkoli tam okrog…). Hvala (ali: lastna hvala se pod mizo vala… ali: dobro blago se samo hvali…). Ah, ja…<\/p>\n

Borut Savski \u00bbOko kot instrument\u00ab<\/p>\n

Sound Explicit. Zvo\u010dna instalacija.<\/p>\n

Sre 20.04.2005<\/p>\n

Serija zvo\u010dnih dogodkov Sound Explicit se bo v \u0161entvi\u0161ki galeriji P74 po dolgem \u010dasu nadaljevala z instalacijo Boruta Savskega, ki je verjetno eden od najbolj drznih raziskovalcev skrajnih meja zvo\u010dnega in njegovih prepletanj z novodobnimi tehnologijami. Savski sodi med pionirje tovrstnih posegov v na\u0161ih krajih, pri \u010demer se pove\u010dini poslu\u017euje bolj ali manj zapletenih zvo\u010dnih poskusov, ki jih kombinira z ra\u010dunalni\u0161kimi ali internetnimi mediji. Tokrat je njegova pozornost obrnjena na problematiko poganjanja zvoka s pomo\u010djo o\u010desa, torej gledanja. Savski na za\u010detku v teoretskih predpostavkah projekta povle\u010de vzporednico med angle\u0161kima izrazoma \u00bbI\u00ab ter \u00bbEye\u00ab in iz tega zaklju\u010di, da je glede na foneti\u010dno izgovorjavo obeh izrazov, lahko povezan tudi njun pomen. Oko, ki je isto kot jaz, nas torej popelje k samemu izvoru \u010dlove\u0161ke biti, zato je po Savskem \u00bbvideti\u00ab torej tudi \u00bbrazumeti\u00ab. Ta odnos jasno nakazuje pozicije opazovanca in opazovanega, torej oddajanja in sprejemanja vizualnih informacij, ki so lahko tudi pogonsko sredstvo zvoka. Pri zvo\u010dni instalaciji si avtor pomaga z ra\u010dunalnikom, ki omogo\u010da preproste vizualno-zvo\u010dne sprehode, uvajal pa bo tudi novodobno razli\u010dico indijskega klasi\u010dnega instrumenta sitarja.<\/p>\n

O avtorju: Borut Savski se je rodil leta 1960 v Ljubljani, kjer je tudi \u0161tudiral na elektrotehni\u010dni fakulteti. Leta 1984 se je kot tehnik pridru\u017eil ekipi Radia \u0160tudent in tam nadaljeval \u0161e kot organizator programa ter glasbeni kritik. Leta 1997 je ustanovil Ministrstvo za eksperiment, nekak\u0161no odprto platformo za razli\u010dne medijske in tehnolo\u0161ke raziskave. V okviru \u00bbministrstva\u00ab se je za\u010del koncem devetdesetih let intenzivno ukvarjati z internetnimi prenosi klubskih in ostalih dogodkov, kot enega od soudele\u017eencev internetnih aktivnosti pa so ga leta 1998 povabili tudi na festival Ars Electronica. Leta 1999 je na noge postavil radijsko oddajo Huda ura, v kateri je poleg konkretnih zvo\u010dnih primerov najve\u010d \u010dasa posvetil razlagi svojih konceptov. Za seboj ima \u0161tevilne projekte in njegov najnovej\u0161i \u00bbOko kot instrument\u00ab bo le zadnji v vrsti drznih posegov v konvencije, ki dr\u017eijo skupaj tradicionalne pojmovanje zvo\u010dnega in vizualnega.<\/p>\n

Jure Mati\u010di\u010d<\/p>\n

Center in galerija P74, Pru\u0161nikova 74, Ljubljana. Ob 20.00.<\/p>\n","protected":false},"excerpt":{"rendered":"

[Original at https:\/\/www.turborebop.net\/borut_galerija\/index.php?folder=performances\/Eye=I] Eye = IPerformance on 20th April 2005, P74 gallery, Ljubljana \u0160entvid First version of performance in september 2004 at Merano, Italy all photos by \u010crt Majcen What is the joke (the yoke)? One eye (the b\/w video monitor) is the input (on the right) and the computer generated eye is the output […]<\/p>\n","protected":false},"author":1,"featured_media":1618,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2],"tags":[19,26,18],"class_list":["post-28","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive","category-arts","tag-concepts-2","tag-events","tag-situations-2"],"_links":{"self":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28"}],"version-history":[{"count":0,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts\/28\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/media\/1618"}],"wp:attachment":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}