{"id":14,"date":"1998-12-10T19:31:58","date_gmt":"1998-12-10T19:31:58","guid":{"rendered":"http:\/\/www.ljudmila.org\/~savskib\/?p=14"},"modified":"2025-01-22T12:37:47","modified_gmt":"2025-01-22T11:37:47","slug":"hudaura","status":"publish","type":"post","link":"https:\/\/www.turborebop.net\/?p=14","title":{"rendered":"Huda ura"},"content":{"rendered":"<h2><span style=\"color: #ff0000;\">HUDA URA = HEAVY WEATHER a broadcast\/netcast focusing on the improvised and algorythmic = realtime sound production aspects<\/span><\/h2>\n<p><b><a href=\"https:\/\/www.turborebop.net\/wp-content\/uploads\/1998\/12\/borut_savski.jpg\" class=\"thickbox no_icon\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1002 size-medium alignright\" src=\"https:\/\/www.turborebop.net\/wp-content\/uploads\/1998\/12\/borut_savski-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.turborebop.net\/wp-content\/uploads\/1998\/12\/borut_savski-300x225.jpg 300w, https:\/\/www.turborebop.net\/wp-content\/uploads\/1998\/12\/borut_savski.jpg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Borut Savski (not remotely <a href=\"http:\/\/www.absurdevidence.radiostudent.si\/borut\/\" target=\"new\" rel=\"noopener noreferrer\">an artist<\/a>!) -&gt;<\/b><\/p>\n<p><b>atmosferski, konkretni &amp; ambientalni zvoki\u2026 relating very directly to the music in question); glasbena oddaja na <a href=\"http:\/\/www.radiostudent.si\/\" target=\"new\" rel=\"noopener noreferrer\">RADIU \u0160TUDENT Ljubljana 89,3 MHz<\/a> kreirana po principih Ministrstva za eksperiment; music broadcast at Radio Student Ljubljana, closely related to the principles of <a href=\"http:\/\/www.radiostudent.si\/mzx\/\" target=\"new\" rel=\"noopener noreferrer\">Ministry of Experiment<\/a><\/b><\/p>\n<p><b>vsak drugi ponedeljek ob 23.00 od decembra 1998 | <\/b><b>appearing every second Monday evening (23.00\/11.00pm CET) since December 1998 &#8211; disappearing in 2013.<br \/>\n<\/b><\/p>\n<p><b>GENERAL TOPICS <\/b><b>quest(ion)s&#8230;<br \/>\n<\/b><b>improvised &#8211; human = algorythmic<br \/>\n<\/b><b>human : machine relations = prosthetics?!<\/b><br \/>\n<b>biologic + social systems = life?<\/b><br \/>\n<b>social behaviour = intelligence?!?<\/b><br \/>\n<b>mechanical + synthetic systems = mechanisms = automata?<\/b><br \/>\n<b>perception of nature = perception of art?!<\/b><br \/>\n<b>art = a deliberate (humane) aesthetic action?<\/b><br \/>\n<b>art = (human) interpretation of nature?<\/b><\/p>\n<p>VODILA:<\/p>\n<p>V redni program R\u0160 prenesti zelo osebne preference, predvsem na glasbenem podro\u010dju in s tem povezanem tehnolo\u0161kemu\/ medijskemu. Uvajam torej sedaj nastajajo\u010do radikalno zvo\u010dno sceno, ki jo je te\u0161ko vmestiti celo v muziko, kaj \u0161ele kam drugam, zato pa jo imenujmo kar zvo\u010dna umetnost.<\/p>\n<p>Neposredneje povezati radijski medij z internetovskim, ki sta sicer nekonformna, pa hvalabogu komplementarna. Kreirati mednarodno mailing listo zainteresiranih. &#8216;On-line&#8217; arhiv oddaj<br \/>\nin lastnih produkcij.<\/p>\n<p>Vse to po\u010deti na na\u010din produkcije in se pri tem ogniti pasti &#8216;predstavljanja\/ reprodukcije&#8217; produktov zalo\u017eb po slu\u017ebeni dol\u017enosti brez kanca ljubiteljskega. Uporabljati avtorsko glasbo nastajajo\u010do med mednarodno skupino znancev\/sodelavcev.<\/p>\n<p>Golo faktografijo raz\u0161iriti na polja idej, ki predstojijo predstavljanemu, spregovoriti tudi marsikatero o principih, ki so pri novi muziki pogosto v raziskovanju tehnolo\u0161kih mo\u017enostih, \u0161e posebej v pristopih, ki uporabljajo ra\u010dunalni\u0161ko algoritmi\u010dno muziciranje.<\/p>\n<p>Ob prilo\u017enostih predati termin v roke drugemu kreatorju\/ producentu v tej estetski sferi. Ob\u010dasno kombinirati radijsko oddajanje s povezavo s fizi\u010dnim prostorom (-&gt; Galerija Kapelica). Radijsko dejavnost bi bilo ugodno raz\u0161iriti z malo\u0161tevilno distribucijo zanimivih muzik, organizirati kak\u0161no neposredno muzi\u010dno akcijo v galeriji, klubu. Skratka: upati, da bi se lahko nekako diferencirala\/ identificirala aktivna dru\u017ebica na tem interesnem podro\u010dju.<\/p>\n<p><b>BROADCASTS<\/b><\/p>\n<p><strong>Arhiv oddaj na Radiu \u0160tudent 2012-2013\u00a0<\/strong><br \/>\n<a href=\"https:\/\/radiostudent.si\/kultura\/huda-ura\" target=\"_blank\" rel=\"noopener\">https:\/\/radiostudent.si\/kultura\/huda-ura<\/a><\/p>\n<p><em><strong>The remains of the day&#8230;<\/strong><\/em><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"GMbv28A6C6\"><p><a href=\"https:\/\/www.turborebop.net\/?p=1230\">Huda ura: Remains of the day<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Huda ura: Remains of the day&#8221; &#8212; T U R B O R E B O P\" src=\"https:\/\/www.turborebop.net\/?p=1230&#038;embed=true#?secret=fGUmmWjBNX#?secret=GMbv28A6C6\" data-secret=\"GMbv28A6C6\" width=\"500\" height=\"282\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><em>A<\/em><em>t the very beginning &#8211; some introductions<br \/>\n<\/em><\/p>\n<p><b>January 10th 2000: <\/b>C.O.CASPAR &amp; INOX KAPELL &#8211; Parafunctional SoundTools; <a href=\"http:\/\/www.datamarkets.com.ar\/experimenta\/ss.html\" target=\"new\" rel=\"noopener noreferrer\">EXPERIMENTA<br \/>\nfestival<\/a> in Buenos Aires; <a href=\"http:\/\/www.geocities.com\/Hollywood\/Movie\/9629\/\" target=\"new\" rel=\"noopener noreferrer\">Consumer Productions<\/a> (Tasmania)..<\/p>\n<p><b>December 1999&#8230; <\/b><a href=\"http:\/\/www.absurdevidence.radiostudent.si\/jgrzinich\/\" target=\"new\" rel=\"noopener noreferrer\">John Grzinich<\/a> jumped in to help&#8230;<\/p>\n<p><b>November 15th 1999: Plunderphonics&#8230; <\/b>(text by Chris Cutler -&gt; <a href=\"http:\/\/www.l-m-c.org.uk\/texts\/plunder.html\" target=\"new\" rel=\"noopener noreferrer\">here<\/a>)<\/p>\n<p><b>November 1st 1999: Bob Ostertag<\/b><br \/>\nforgot two CDs in LJ &#8230; &amp; Sonic Ecology\/ Transformation of Noise (-&gt; <a href=\"http:\/\/www.culture.net\/orfkunstradio\/ZEITGLEICH\/soneco.html\" target=\"new\" rel=\"noopener noreferrer\">text by Bill Fontana<\/a> + <a href=\"http:\/\/www.absurdevidence.radiostudent.si\/borut\/Fontana.html\" target=\"new\" rel=\"noopener noreferrer\">SLO prevod<\/a>)<\/p>\n<p><b>Oktober 18th 1999: <\/b>PSYCHO RADIO DRAMA (any old sob story will do &#8211; just combine it with right<br \/>\nsounds and interpretation&#8230;)<\/p>\n<p><b>Oktober 4th:<\/b> <a href=\"http:\/\/www.l-m-c.org.uk\/texts\/ostertag.html\" target=\"new\" rel=\"noopener noreferrer\">Bob Ostertag<\/a> and some <a href=\"http:\/\/www.l-m-c.org.uk\/textindex.html\" target=\"new\" rel=\"noopener noreferrer\">more thoughts<\/a> on computer music &amp; digital instruments (-&gt; sampler)<\/p>\n<p><b>September 19th 1999:<\/b> avantgarde composer <a href=\"http:\/\/www.snafu.de\/~mediainmotion\/1999\/feilerskoeld.html\" target=\"new\" rel=\"noopener noreferrer\">Dror Feiler<\/a> presented by Masa Gedrih -&gt; <a href=\"http:\/\/www.radiostudent.si\/mzx\/var.link\/HudaMasaFeiler.ram\">sound file<\/a> (realaudio 32 Kbs streaming&#8230;)<\/p>\n<p><b>September\u00a0 5th 1999:<\/b><br \/>\nNews from the NorthWest\/USA (<a href=\"http:\/\/www.amz.com\/labels\/UnitCircle\/artists\/BillHorist.html\" target=\"new\" rel=\"noopener noreferrer\">UnFolkUs by Bill Horist\/ Seattle<\/a>&#8230;, Recurring Dreams by Sid Cooper\/ Astoria&#8230; thanks to Roger Hayes)<\/p>\n<p><b>August 9th 1999:<\/b> <a href=\"https:\/\/old.radiostudent.si\/mzx\/hexpo\/concept.html\" target=\"_blank\" rel=\"noopener\">hEXPO summer festival (\/university?)<\/a> intro\/ <a href=\"http:\/\/www.absurdevidence.radiostudent.si\/borut\/PinaMKC.html\" target=\"new\" rel=\"noopener noreferrer\">amaterski Super 8 filmcek<\/a> (Masa Gedrih, Borut Savski, John Grzinich)<\/p>\n<p><b>July 26th 1999: Darwinism in music?!<\/b>-&gt; papers by Jeremy Leach at the <a href=\"http:\/\/www2.bath.ac.uk\/~mapjll\/algo-comp.html\" target=\"new\" rel=\"noopener noreferrer\">Algoritmic Composition homepage<\/a><\/p>\n<p><b>June 31st 1999: australian sound artist <a href=\"http:\/\/www.laudanum.net\/ldbl\/\" target=\"new\" rel=\"noopener noreferrer\">PIMMON<\/a> akka Paul Gough <\/b>(@<a href=\"http:\/\/www.laudanum.net\/\" target=\"new\" rel=\"noopener noreferrer\">laudanum.net<\/a>)<\/p>\n<p><b>June 28th 1999: BIO-UTOPIA<\/b> (post-mortem examination&#8230;) some recordings \/mp3 files\/ <a href=\"http:\/\/www.absurdevidence.radiostudent.si\/biotope\/\">available<\/a>!<\/p>\n<p><b>June 14th 1999: <a href=\"http:\/\/www.absurdevidence.radiostudent.si\/biotope\/\">BIOTOPE\u00a0<\/a><\/b>installation\/pre-performance trial @Kapelica (a direct local broadcast<br \/>\nfrom the site)<\/p>\n<p><b>May 31st 1999:<\/b> free-impro from Switzerland: LILITH (Margrit Rieben, Hans Burgener, Ursula Hofmann)@<br \/>\nfor 4 ears records 1994; CIELETERRA (Fredi Luescher, Margrit Rieben, Christin Wildbolz) @ altrisuoni; throughout: a debate on improvised and algorithmic, synthetic sounds and natural acoustics by Borut Savski and John Grzinich<\/p>\n<p><b>May 17th 1999:<\/b> <a href=\"http:\/\/elektro.mur.at\/epc\/info_a.html\" target=\"new\" rel=\"noopener noreferrer\">Andrew Garton<\/a> (also EPC) and his KOAN (software) produced generative music\/<br \/>\nan impro- jewell: <a href=\"http:\/\/www.snafu.de\/~mediainmotion\/1999\/feilerskoeldtext.html\" target=\"new\" rel=\"noopener noreferrer\">Dror Feile<\/a>r&amp; TooMuchTooSoonOrchestra\/\u00a0 remote productions: <a href=\"https:\/\/3via.org\/records\/index.php?opt=item&amp;id=23\" target=\"_blank\" rel=\"noopener noreferrer\">Markus Nix<\/a> RAF reminiscences<\/p>\n<p><b>May 12th 1999 concert@Kapelica: ELECTRO PATHOLOGIC CONSORT <\/b>(Sergio Messina \/ Milano, Ludwig Zeininger \/ Wien, Andrew Garton and special guest John Powers \/ both Melbourne) broadcast on fm (RADIO STUDENT) &amp; netcast = <a href=\"http:\/\/www.radiostudent.si\/mzx\/var.link\/EPC.ram\">a recording of a concert now available!<\/a><\/p>\n<p><b>May 3rd 1999: <\/b>public rehearsal (in Vienna) of <a href=\"http:\/\/elektro.mur.at\/\">Electro Pathologic Consort<\/a> (EPC)<\/p>\n<hr \/>\n<p><strong>a selection of mp3 files of my electronic and acoustic music explorations&#8230;\u00a0(mp3 playlists)<br \/>\n<\/strong><a href=\"http:\/\/www.absurdevidence.radiostudent.si\/borut\/music.html\" target=\"_new\" rel=\"noopener noreferrer\">algorithmic studies<\/a><\/p>\n<p><strong>sodelovanja\/ collaborations&#8230;<br \/>\n<\/strong><a href=\"http:\/\/www.absurdevidence.radiostudent.si\/borut\/infrastructures.html\" target=\"new\" rel=\"noopener noreferrer\">http:\/\/www.absurdevidence.radiostudent.si\/borut\/infrastructures.html<\/a><b><\/b><\/p>\n<p><b>razli\u010dni zvo\u010dni arhivi\/ various archives:<br \/>\n<\/b><a href=\"http:\/\/www.radiostudent.si\/mzx\/before2000\/audial.html\" target=\"new\" rel=\"noopener noreferrer\">https:\/\/old.radiostudent.si\/mzx\/before2000\/audial.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>HUDA URA = HEAVY WEATHER a broadcast\/netcast focusing on the improvised and algorythmic = realtime sound production aspects Borut Savski (not remotely an artist!) -&gt; atmosferski, konkretni &amp; ambientalni zvoki\u2026 relating very directly to the music in question); glasbena oddaja na RADIU \u0160TUDENT Ljubljana 89,3 MHz kreirana po principih Ministrstva za eksperiment; music broadcast at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1002,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[46,9,1,28,5],"tags":[45,44,34],"class_list":["post-14","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-radio","category-turboblog","category-archive","category-concepts","category-sound","tag-huda-ura","tag-radio","tag-turboblog-2"],"_links":{"self":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":13,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts\/14\/revisions"}],"predecessor-version":[{"id":2571,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/posts\/14\/revisions\/2571"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=\/wp\/v2\/media\/1002"}],"wp:attachment":[{"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.turborebop.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}